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(Hayes 1977, 76) Before October: Calder returns to New York and stays with his parents at 119 East Tenth Street.
Alice Prin, the Best Known Artist's Model in Europe." 23 Gravures de Arp, Calder, Chirico, Erni, Ernst, Fernandez, Giacometti, Ghika, Gonzalez, Hélion, Kandinsky, Léger, Lipchitz, Magnelli, Miró, Nicholson, Ozenfant, Picasso, Seligmann, Taeuber-Arp, Torres-Garcia, Vulliamy, Zadkine (1944). The company adopts his suggestion and sends him a note of thanks along with a case of Corn Flakes.
Barcelona: Fundació Joan Miró–Centre d'Estudis d'Art Contemporani, 1975. Museum at Large and the Whitney Museum of American Art, New York. Directed and produced by Paul Falkenberg and Hans Namuth; narration by Louisa Calder, Tom Armstrong, and John Russell. Calder's parents move to a ranch in Oracle, Arizona, leaving Calder and his sister Peggy in the care of Dr. Calder befriends Riley, an elderly man recuperating at the ranch who shows him "how to make a wigwam out of burlap bags pinned together with nails." (Calder 1966, 16) Fall: The Calders move to Pasadena, California.
Portfolio of lithographs by Calder, Chillida, Guinovart, Miró, Ràfols-Casamada, Tàpies, Vedova, Viladecans. So I sent them another dollar and told them, “Look again.” They corroborated the first statement., in Philadelphia. (Calder 1966, 13) Spring: Stirling Calder contracts tuberculosis. (Calder 1966, 15; Hayes 1977, 18) End of March: Nanette picks up Calder and Peggy and they rejoin their father in Oracle.
I always thought I was born—at least my mother always told me so—on August 22, 1898.
Produced, directed, and written by Robert Pierce; narrated by Lary Lewman; production manager, Mark Muheim, assistant camera/sound, Zack Krieger. Thirteen/WNET and Florentine Films/Roger Sherman Pictures, New York. Produced and directed by Roger Sherman; written by Thomas Mc Namee; narrated by Tovan Feldshuh, music by Teese Gohl. Produced by Zadig Productions, Calder Foundation, Centre Pompidou, Sloo Films, and France 5. Directed by François Levy-Kuentz; written by Stephan and François Levy-Kuentz; narration by Mathieu Almaric and Paul Bandey; music by Louis Sclavis.
Mother and father were all for my efforts to build things myself—they approved of the homemade . (Calder 1966, 21) 1 January: Calder attends Pasadena's Tournament of Roses, where he experiences the four-horse chariot races.
At that time, on Euclid Avenue in Pasadena, I got my first tools and was given the cellar with its window as a workshop. My workshop became some sort of a center of attention; everybody came in.
Barr, Jr., Nancy Newhall, George Amberg, Iris Barry, Elizabeth Mock, Serge Chermayeff, Rene D'Harnoncourt, Monroe Wheeler, Elodie Courter, and Victor D'Amico. Sponsored by Peggy Guggenheim's Art of This Century, New York. Calder finds a job as a timekeeper for a logging camp in Independence, Washington. (Calder 1966, 55–56) Summer: Inspired by the logging camp landscape, Calder writes home and asks his mother for paints and brushes.
Produced and directed by Hans Richter, assisted by Miriam Reaburn; cinematography by Arnold Eagle; music by Louis Applebaum. Sponsored by New World Films and Motion Picture Stages. (Calder 1966, 53–55; CF, Patterson to ASCR, 26 April 2010) Mid-June: Arriving in San Francisco, Calder takes a lumber schooner to Willapa Harbor, Washington, where he catches the bus for Aberdeen and meets his sister Peggy and her husband, Kenneth Hayes.